DIP Day 3_Parallel sessions

3rd festival conference of music performance and artistic research “Doctors in Performance”,
Lithuanian Academy of Music and Theatre,
September 6, parallel sessions: Juozas Karosas Hall, Balcony Theatre, Organ Hall, Music Innovation Studies Centre

Sessions 17–20

: Nana Wang, lecture-recital “Translator, Architect and Creator: A Study of Piano Response to the Ballet of the Nuns”

: Nana Wang

: Nana Wang

: Nana Wang

: Nana Wang

: Nana Wang

: “Translator, Architect and Creator: A Study of Piano Response to the Ballet of the Nuns”

: Session 17, chair Carolina Estrada Bascunana

: Anu Vehviläinen

: Nana Wang

: “Translator, Architect and Creator: A Study of Piano Response to the Ballet of the Nuns”

: Virginija Unguraitytė-Levickienė, lecture-recital “The Sketches of Piano Music by M. K. Čiurlionis: Editing Practice and Its Effect on Performance”

: Virginija Unguraitytė-Levickienė

: Virginija Unguraitytė-Levickienė

: “The Sketches of Piano Music by M. K. Čiurlionis: Editing Practice and Its Effect on Performance”

: Virginija Unguraitytė-Levickienė

: Virginija Unguraitytė-Levickienė

: Kristel Pappel

: Virginija Unguraitytė-Levickienė

: Eveliina Sumelius-Lindblom, paper “The Pianist’s Perception as a Working and Research Method: Encountering Intertextual and Phenomenological Approaches in Piano Playing”

: Eveliina Sumelius-Lindblom

: Eveliina Sumelius-Lindblom

: Eveliina Sumelius-Lindblom

: Eveliina Sumelius-Lindblom

: Session 18, chair Russell Wimbish

: Anne Elisabeth Piirainen, lecture-recital “Beyond Borders: Tracing Stylistic Changes in Unofficial Soviet Clarinet Music After the “Thaw””

: Anne Elisabeth Piirainen

: Anne Elisabeth Piirainen

: Anne Elisabeth Piirainen

: Beyond Borders: Tracing Stylistic Changes in Unofficial Soviet Clarinet Music After the “Thaw”

: Kirill Kozlovski

: Anne Elisabeth Piirainen

: Zsuzsanna Könyves-Tóth, paper “Don’t you remember me, Adam?” The Character of Lilith in Péter Eötvös’ Operas

: Zsuzsanna Könyves-Tóth

: “Don’t you remember me, Adam?” The Character of Lilith in Péter Eötvös’ Operas

: Zsuzsanna Könyves-Tóth

: Session 18, Balcony Theatre

: “Don’t you remember me, Adam?” The Character of Lilith in Péter Eötvös’ Operas

: Zsuzsanna Könyves-Tóth

: Zsuzsanna Könyves-Tóth

: Session 18, Balcony Theatre

: Zsuzsanna Könyves-Tóth

: Session 18, Balcony Theatre

: Nazrin Rashidova, lecture-recital “Émile Sauret’s 24 Études-Caprices, Op. 64 (1902): A First Recording”

: Nazrin Rashidova

: Nazrin Rashidova

: Nazrin Rashidova

: Nazrin Rashidova

: Nazrin Rashidova

: Nazrin Rashidova

: Korneel Bernolet, lecture-recital “Arpeggio in Baroque Keyboard Literature: How Did They Teach and How Do We Play?”

: Korneel Bernolet

: Korneel Bernolet

: Korneel Bernolet

: Korneel Bernolet

: Korneel Bernolet

: Session 19, chair Sarah Callis

: Session 19, Organ Hall

: Cherie Broome, lecture-recital “Performing Rhetoric. Revealing the Secrets: A Consideration of the Rhetorical Structure and Figures of J. S. Bach’s Chromatic Fantasy, BWV 903”

: Cherie Broome

: Cherie Broome

: Cherie Broome

: Cherie Broome

: Cherie Broome

: Cherie Broome

: Markus , paper “On Playing the Sonata by Franz Schubert D. 821 for Arpeggione and Piano”

: Markus Kuikka

: Markus Kuikka

: “On Playing the Sonata by Franz Schubert D. 821 for Arpeggione and Piano”

: Chiara Bertoglio, recital “”On Playing the Sonata by Franz Schubert D. 821 for Arpeggione and Piano””

: Chiara Bertoglio

: Chiara Bertoglio

: Chiara Bertoglio

: Chiara Bertoglio

: Chiara Bertoglio

: Session 19, Organ Hall

: Session 19, Organ Hall

: Session 20, chair Rasa Murauskaitė

: Vincent Caers, recital “It’s the Score, Stupid?! The Transition from Contemporary Percussion Score to Audiovisual Electro-Acoustic Improvisation”

: “It’s the Score, Stupid?! The Transition from Contemporary Percussion Score to Audiovisual Electro-Acoustic Improvisation”

: Sigrid Tanghe (visual artist and performer)

: “It’s the Score, Stupid?! The Transition from Contemporary Percussion Score to Audiovisual Electro-Acoustic Improvisation”

: Sigrid Tanghe

: Vincent Caers

: “It’s the Score, Stupid?! The Transition from Contemporary Percussion Score to Audiovisual Electro-Acoustic Improvisation”

: “It’s the Score, Stupid?! The Transition from Contemporary Percussion Score to Audiovisual Electro-Acoustic Improvisation”

: Vincent Caers

: Vincent Caers

: “It’s the Score, Stupid?! The Transition from Contemporary Percussion Score to Audiovisual Electro-Acoustic Improvisation”

: Mantautas Krukauskas

: Vincent Caers

: “It’s the Score, Stupid?! The Transition from Contemporary Percussion Score to Audiovisual Electro-Acoustic Improvisation”

: Adilia Yip

: Session 20, MiSC

: Rasa Murauskaitė

: Adilia Yip, lecture-recital “Describe Experience: The Artistic Research on Cross-Cultural Music Practices”

: Adilia Yip

: Session 20, MiSC

: Adilia Yip

: Adilia Yip

: Session 20, MiSC

: Session 20, MiSC

: Adilia Yip

: Adilia Yip

: Adilia Yip

: Adilia Yip

: Paola Livorsi, paper “Human Voice and Instrumental Sound: Embodied Perception and Performative Space”

: Paola Livorsi

: Paola Livorsi

: Paola Livorsi

: “Human Voice and Instrumental Sound: Embodied Perception and Performative Space”

: Session 20, MiSC

: Paola Livorsi

: Paola Livorsi

: Session 20, MiSC

: Anna Rutkowska

: Anna Rutkowska, lecture-recital “The Influence of the Culture, Tradition and Arts of Japan on Contemporary Marimba Literature by Japanese Composers: Keiko Abe, Minoru Miki and Akira Miyoshi”

: Anna Rutkowska

: Anna Rutkowska

: Session 20, MiSC

: Anna Rutkowska

: Anna Rutkowska

: Anna Rutkowska

Sessions 21–24

: Daniele Buccio, recital “Solo Piano Compositions by Marina Scriabine”

: Daniele Buccio

: Daniele Buccio

: Daniele Buccio

: Daniele Buccio

: Daniele Buccio

: Session 21, chair Julian Hellaby

: Horng Kent Tham, lecture-recital “Towards a Performance of Tazul Izan Tajuddin’s Selected Solo Piano Works”

: Horng Kent Tham

: Horng Kent Tham

: Horng Kent Tham

: “Towards a Performance of Tazul Izan Tajuddin’s Selected Solo Piano Works”

: Horng Kent Tham

: Alexandra Vaduva, recital “The Pièces Impromptues, Op. 18 by George Enescu”

: Alexandra Vaduva

: Alexandra Vaduva

: Alexandra Vaduva

: Alexandra Vaduva

: Session 21, Juozas Karosas Hall

: Hanli Stapela

: Hanli Stapela

: Hanli Stapela and Brian Wallick, recital “The Theatre of Art Song or Art Song as Theatre”

: Hanli Stapela

: Hanli Stapela

: Hanli Stapela

: Hanli Stapela (soprano) and Brian Wallick (piano)

: Session 22, chair Päivi Järviö

: Olga Heikkilä, lecture-recital “Cabaret Tradition in Notation of Sprechgesang in Pierrot Lunaire by Arnold Schoenberg”

: Olga Heikkilä (soprano), Eveliina Sumelius-Lindblom (piano)

: Olga Heikkilä (soprano), Eveliina Sumelius-Lindblom (piano)

: “Cabaret Tradition in Notation of Sprechgesang in Pierrot Lunaire by Arnold Schoenberg”

: Olga Heikkilä

: Olga Heikkilä

: Olga Heikkilä (soprano), Eveliina Sumelius-Lindblom (piano)

: Olga Heikkilä

: Olga Heikkilä (soprano), Eveliina Sumelius-Lindblom (piano)

: Päivi Järviö

: Olga Heikkilä

: Deborah Oliveira, paper “Exploring the Recital Model: A Look into Undefined Performance Formats”

: Deborah Oliveira

: Deborah Oliveira

: Deborah Oliveira

: Deborah Oliveira

: Iryna Gorkun-Silén, lecture-recital “Flute Française: The French Flute. The Influence of the French Flute School from the End of the 19th Century on Flute Playing Today”

: Iryna Gorkun-Silén

: Iryna Gorkun-Silén

: Iryna Gorkun-Silén

: Iryna Gorkun-Silén

: Iryna Gorkun-Silén

: Richard Craig, recital “Emperdûment livrer mon corps…Composing the Performer and Models of Dramaturgy for the Solo Instrumentalist”

: Richard Craig

: Richard Craig

: “Emperdûment livrer mon corps…Composing the Performer and Models of Dramaturgy for the Solo Instrumentalist”

: Richard Craig

: Session 23, chair Alana Blackburn

: Ine Vanoeveren, lecture-recital “Cassandra’s Dream Song: Let’s (Not) Talk About Gender”

: Ine Vanoeveren

: Ine Vanoeveren

: Ine Vanoeveren

: Ine Vanoeveren

: Ine Vanoeveren

: Ine Vanoeveren

: Ine Vanoeveren

: Ine Vanoeveren

: Session 24, chair Kristel Pappel

: Robert Jędrzejewski, recital “Pure Intuitive Act”

: Robert Jędrzejewski

: Robert Jędrzejewski

: “Pure Intuitive Act”

: Session 24, MiSC

: Robert Jędrzejewski

: Robert Jędrzejewski

: Session 24, MiSC

: Robert Jędrzejewski

: Kristel Pappel

: Session 24, MiSC

: Session 24, MiSC

: Brigita Bublytė, lecture-recital TRANS/formations of Vocal Timbre in Different Cultural Experiences: Conception of “TranceSpace”

: Brigita Bublytė

: Brigita Bublytė

: TRANS/formations of Vocal Timbre in Different Cultural Experiences: Conception of “TranceSpace”

: TRANS/formations of Vocal Timbre in Different Cultural Experiences: Conception of “TranceSpace”

: Brigita Bublytė

: Session 24, MiSC

: Session 24, MiSC

: TRANS/formations of Vocal Timbre in Different Cultural Experiences: Conception of “TranceSpace”

: TRANS/formations of Vocal Timbre in Different Cultural Experiences: Conception of “TranceSpace”

: Maria Korepanova, lecture-recital “The Problem of Improvisation and Variation in Besermyan’s Krez’s on the Example of Soldat Keljan Krez’”

: “The Problem of Improvisation and Variation in Besermyan’s Krez’s on the Example of Soldat Keljan Krez’”

: Maria Korepanova

: Maria Korepanova

: “The Problem of Improvisation and Variation in Besermyan’s Krez’s on the Example of Soldat Keljan Krez’”

: Maria Korepanova