{"id":27,"date":"2013-11-16T14:14:14","date_gmt":"2013-11-16T12:14:14","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?page_id=27"},"modified":"2021-12-06T20:58:23","modified_gmt":"2021-12-06T18:58:23","slug":"current-artistic-projects","status":"publish","type":"page","link":"https:\/\/harps.lmta.lt\/en\/artistic-doctorate\/current-artistic-projects\/","title":{"rendered":"Current artistic projects"},"content":{"rendered":"

Artistic doctorate in Music<\/h3>\n

Joana Daunyt\u0117 (Harp)
\nThe Problem of the Harp Repertoire Building: Lithuanian Contexts 1970\u20132020
\n<\/strong>Abstract<\/a><\/p>\n

Dominykas Digimas (Composition)
\nMuzikinio laiko suvokimo aspektai ir komponavimo strategijos l\u0117to kismo muzikoje<\/strong><\/p>\n

Agn\u0117 D\u016bk\u0161tait\u0117 (akordeonas)
\nNetradiciniai garso formavimo dumpl\u0117mis b\u016bdai XXa. pab.\u2013XXIa. pr. k\u016briniuose akordeonui<\/strong><\/p>\n

Marta Finkel\u0161tein (Piano)
\nThe Aesthetics of Performativity in the Pianistic Practice of the 21st Century
\n<\/strong>Abstract<\/a><\/p>\n

Paulius Gefenas (Flute)
\nTapatybin\u0117 fleitos raida XX a. Europoje<\/strong><\/p>\n

Vytautas Germanavi\u010dius (Composition)
\nIdentification of Microtonal Intervallic Relations in Lithuanian Vocal and Instrumental Folk Music and their Application in Music Composition<\/strong><\/p>\n

Kristupas Gikas (Chamber ensemble)
\nExtended flute techniques in an interactive electronic system
\n<\/strong>Abstract<\/a><\/p>\n

Julija Ivanovait\u0117 (Violin)
\nMinimalizmas virtuozams: smuikininko atvejis<\/strong><\/p>\n

Ernesta Ju\u0161kait\u0117 (Singing)
\nReflections of Richard Strauss\u2019 Songs in the 20th Century Lithuania: Poetic Word in the Context of Musical Interpretation<\/strong>
\nAbstract<\/a><\/p>\n

Gintar\u0117 Kaminskait\u0117 (violon\u010del\u0117)
\nUnconventional ways of playing cello: from extended towards multi-stylistic techniques of the 21st century
\n<\/strong>Abstract<\/a><\/p>\n

Lora Kmieliauskait\u0117 (Chamber ensemble)
\nMuzikos atlik\u0117jo k\u016brybi\u0161kumo potencialas \u0161iuolaikinio meno lauke<\/strong><\/p>\n

Agn\u0117 Matulevi\u010di\u016bt\u0117 (Composition)
\nKonceptas kaip komponavimo principas<\/strong><\/p>\n

Agn\u0117 Agnet\u0117 Ma\u017eulien\u0117\u00a0(Composition)
\nTypology and Analytical Methodology of Figurative Compositions
\n<\/strong>Abstract<\/a><\/p>\n

Maria Mirovskaya\u00a0(Chamber ensemble)
\nChamber Ensemble of Piano and Woodwind Instruments: Timbre-Acoustic Correlations
\n<\/strong>Abstract<\/a><\/p>\n

Raminta Naujanyt\u0117 (Composition)
\nGestais valdomi jutikliniai instrumentai gyvojoje elektronin\u0117je muzikoje<\/strong><\/p>\n

Vytis Nivinskas (Jazz)
\nEksperimentas ir ekspermantavimas \u0161iuolaikin\u0117je d\u017eiazo kompozicijoje<\/strong><\/p>\n

Beata Preisait\u0117-\u0160idi\u0161kien\u0117 (Flute)
\nFleitos portretas Carlo Nielseno k\u016bryboje.<\/strong><\/p>\n

Agn\u0117 Railait\u0117-Jurk\u016bnien\u0117 (koncertmeisteris)
\nThe craftartism of collaborative piano: Halina Znaidzilauskait\u0117’s interpretive parts
\n<\/strong>Abstract<\/a><\/p>\n

Matas Samulionis (Chamber ensemble)
\n\u0160iuolaikin\u0117 improvizacin\u0117 muzika: \u012fkodavimas ir i\u0161kodavimas<\/strong><\/p>\n

Gabrielius Simas Sapiega (Composition)
\nHilomorphism processes in spectral music
\n<\/strong>Abstract<\/a><\/p>\n

Imantas \u0160imkus (dirigavimas)
\nInterpretation of metro-rhythmic fable in the art of conducting<\/strong><\/p>\n

Aist\u0117 Vaitkevi\u010di\u016bt\u0117 (Composition)
\nThe Function of Timbre in Composing Practices of the Second Half of the 20th \u2013 21st Centuries: Aspects of Interrelation Between Sound Parameters<\/strong>
\nAbstract<\/a><\/p>\n

Neringa Valuntonyt\u0117 (fortepijonas)
\nCreating academic musician\u2018s persona: from stage to personal brand<\/strong><\/p>\n

Vilt\u0117 \u017dakevi\u010di\u016bt\u0117 (Composition)
\nConstructive Aspect of Musical Texture of the works by Lithuanian composers of the 21st Century<\/strong><\/p>\n

<\/p>\n

<\/div>\n

Artistic doctorate in Theatre and Cinema<\/h3>\n

Migl\u0117 Bereikait\u0117\u00a0(Theatre)
\n\u012evietinto teatro fenomenas: peiza\u017eas ir menin\u0117s praktikos<\/strong><\/p>\n

Indr\u0117 Dirg\u0117lait\u0117\u00a0(Theatre)
\nCVT metodas laisvojoje improvizacijoje teatre<\/strong><\/p>\n

Akvil\u0117 Gela\u017ei\u016bt\u0117\u00a0(Cinema)
\nAbsurd humor strategies in cinema
\n<\/strong>Abstract<\/a><\/p>\n

Vesta Rasa Grab\u0161tait\u0117\u00a0(Acting)
\nFundamental\u016bs vaidybos d\u0117sniai
\n<\/strong>Abstract<\/a><\/p>\n

Greta Grinevi\u010di\u016bt\u0117\u00a0(Dance)
\nChoreografijos ir ekrano s\u0105veikos<\/strong><\/p>\n

Kamil\u0117 Gudmonait\u0117\u00a0(Theatre)
\nTransforming theatre: The phenomenon of social theatre breaking into reality<\/strong><\/p>\n

Paulius Ignatavi\u010dius\u00a0(Theatre directing)
\nThe Trajectories of Expression of the Hero\u2019s Identity in Contemporary Lithuanian Theatre
\n<\/strong>Abstract<\/a><\/p>\n

Ieva Jackevi\u010di\u016bt\u0117\u00a0(Theatre)
\nSpektakli\u0173, skirt\u0173 vaikams nuo 0 iki 5 met\u0173 am\u017eiaus, k\u016brybos ypatumai<\/strong><\/p>\n

Milda Sokolovait\u0117\u00a0(Theatre)
\n\u017di\u016brov\u0173 k\u016brybinis ind\u0117lis kaip pasirodymo elementas<\/strong><\/p>\n

Aist\u0117 Stonyt\u0117-Budzinauskien\u0117\u00a0(Cinema)
\nLaiko dramaturgija dokumentinio kino k\u016brimo procese<\/strong><\/p>\n

Aleksandr \u0160pilevoj\u00a0(Theatre)
\nStorytelling\u2019o i\u0161rai\u0161kos formos \u0161iuolaikiniame scenos mene<\/strong><\/p>\n

\u017dilvinas Vingelis\u00a0(Theatre directing)
\nVizualinis teatras: monta\u017eas kaip vizualinio teatro dramaturginis metodas<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Artistic doctorate in Music Joana Daunyt\u0117 (Harp) The Problem of the Harp Repertoire Building: Lithuanian Contexts 1970\u20132020 Abstract Dominykas Digimas (Composition) Muzikinio laiko suvokimo aspektai ir komponavimo strategijos l\u0117to kismo muzikoje Agn\u0117 D\u016bk\u0161tait\u0117 (akordeonas) Netradiciniai garso formavimo dumpl\u0117mis b\u016bdai XXa. pab.\u2013XXIa. pr. k\u016briniuose akordeonui Marta Finkel\u0161tein (Piano) The Aesthetics of Performativity in the Pianistic Practice […]<\/p>\n","protected":false},"author":2,"featured_media":254,"parent":10,"menu_order":1,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-27","page","type-page","status-publish","has-post-thumbnail","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\t\n\t\t