{"id":270,"date":"2014-01-19T15:24:54","date_gmt":"2014-01-19T13:24:54","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?page_id=270"},"modified":"2021-12-06T20:31:39","modified_gmt":"2021-12-06T18:31:39","slug":"f-chopinas-ir-m-k-ciurlionis-paraleles-santapos-itaka","status":"publish","type":"page","link":"https:\/\/harps.lmta.lt\/en\/artistic-doctorate\/completed-artistic-projects\/f-chopinas-ir-m-k-ciurlionis-paraleles-santapos-itaka\/","title":{"rendered":"F. Chopin and M.K. \u010ciurlionis\u2019 Early Works for Piano: Creative Parallels, Overlapping, Influence"},"content":{"rendered":"

Doctoral student: Gabriel\u0117 Kondrotait\u0117
\nSupervisors: Prof. Zbignevas Ibelgauptas, Prof. Dr. (hp) Gra\u017eina Daunoravi\u010dien\u0117
\nDepartment: Piano
\nDuration: 2010\u20132014<\/p>\n

Abstract<\/strong><\/p>\n

\"Gabriel\u0117<\/a>

Gabriel\u0117 Kondrotait\u0117<\/p><\/div>\n

One of the well-known and undisputed initial inspirations in \u010ciurlionis\u2019 early works for piano relates to the romantic tradition, the spirit of Chopin. The first part of the artistic research project draws historic, personal, cultural and artistic parallels between these two composers and defines points of contact in terms of relevant contexts and texts. This project reveals the benefits linking Chopin and \u010ciurlionis from the overall perspective: the Romanticist aesthetics, humanistic ideas, national awareness, consciously preserved contacts with own nation\u2019s folklore and its creative integration, original touch that predicts new artistic trends, etc.<\/p>\n

The second part is devoted to the presentation, analysis and interpretation of Chopin\u2019s and \u010ciurlionis\u2019 creative parallels. The discussion centres on \u010ciurlionis\u2019 music for piano before 1904, which reveals creative correlations with Chopin\u2019s opuses. This part distinguishes the creative spheres of both artists that reflect points of contact of varied intensity: nationality in music, idiomatic of genres, individual solutions of piano texture, characteristic elements of genres as well as details and features of musical language. Specific influences of Chopin\u2019s works on \u010ciurlionis\u2019 pieces for piano from his early period are revealed and explored. After tracing an occasional musical mark of the Polish composer or a set of such marks in the works of the Lithuanian artist, the way it appeared there is analysed: as an inert particle of salon culture (\u010ciurlionis\u2019 mazurkas), as reverberation of a canonical work or maybe as the birth of a \u010ciurlionis-style mark, which is close to Chopin but is paradigmatic (e.g. possible correlations between Chopin-style tierces and \u010ciurlionis-style decimas, a distinct transformation of Chopin-style chromaticisms, etc.). The project also aims to select the most correct terminology suitable for discussing the influence of Chopin\u2019s music on \u010ciurlionis\u2019 early works for piano.<\/p>\n","protected":false},"excerpt":{"rendered":"

Doctoral student: Gabriel\u0117 Kondrotait\u0117 Supervisors: Prof. Zbignevas Ibelgauptas, Prof. Dr. (hp) Gra\u017eina Daunoravi\u010dien\u0117 Department: Piano Duration: 2010\u20132014 Abstract One of the well-known and undisputed initial inspirations in \u010ciurlionis\u2019 early works for piano relates to the romantic tradition, the spirit of Chopin. The first part of the artistic research project draws historic, personal, cultural and artistic […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":29,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"template-doct-music-completed.php","meta":{"footnotes":""},"class_list":["post-270","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\t\n\t\t