{"id":320,"date":"2015-02-04T20:05:52","date_gmt":"2015-02-04T18:05:52","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?page_id=320"},"modified":"2021-12-06T20:31:39","modified_gmt":"2021-12-06T18:31:39","slug":"the-role-of-a-pianist-in-a-soloists-art-physiological-and-psychological-aspects","status":"publish","type":"page","link":"https:\/\/harps.lmta.lt\/en\/artistic-doctorate\/completed-artistic-projects\/the-role-of-a-pianist-in-a-soloists-art-physiological-and-psychological-aspects\/","title":{"rendered":"The Role of an Accompanying Pianist in a Soloist’s Art: Physiological and Psychological Aspects"},"content":{"rendered":"

Doctoral student: Indr\u0117 Baik\u0161tyt\u0117
\nSupervisors: Prof. Irena Uss-Armonien\u0117, Assoc. Prof. Dr. Audra Versek\u0117nait\u0117
\nResearch consultant: Prof. Habil. Dr. Alvydas Juocevi\u010dius
\nDepartment: Accompanying Piano
\nDuration: 2014\u20132015
\n(artistic doctorate studies for art licentiates)<\/p>\n

Abstract<\/strong><\/p>\n

\"Indr\u0117<\/a>

Indr\u0117 Baik\u0161tyt\u0117 | Martyno Aleksos nuotr.<\/p><\/div>\n

The aim of this artistic research project is to prove, through a demonstration of the multifaceted polyfunctionality of an accompanying pianist, that it is essential for a pianist to have psychological and psycho-physiological knowledge which\u00a0has a considerable impact on the outcomes of a soloist\u2019s artistic activity.
\nThe research paper analyses and compares the characteristics of the artistic activity of soloists from different fields of performance art (singing, strings and wind instruments). A significant focus is put on the psychological aspects of the interaction between a soloist and an accompanying pianist, the importance of temperaments is explored. The author\u00a0also looks into the physiological response of soloists at rest and under\u00a0stress.
\nThe novelty and relevance of the subject of this artistic research lie in the fact that research into the artistic collaboration between soloists and accompanying pianists from the psychological and psycho-physiological points of view has just started in Lithuania and has been very scarce. The conclusions from the present research will support the empirical assumptions on the importance of a pianist\u2019s role in a soloist\u2019s creative activity and will help to come up with specific recommendations for accompanying pianists when it comes to general psychological knowledge concerning\u00a0the co-operation between a soloist and a pianist and specific physiological knowledge related to the needs of a specific soloist \u2013 singer or instrumentalist.
\nThe creative part of the artistic project focuses on the preparation\u00a0of concert programmes with soloists of different specialities. To look more closely into the specific nature of this artistic doctorate research, programmes have been developed both with vocalists and with string and woodwind performers: they are being observed, their state and needs are being tested during rehearsals, recordings and public performances.<\/p>\n","protected":false},"excerpt":{"rendered":"

Doctoral student: Indr\u0117 Baik\u0161tyt\u0117 Supervisors: Prof. Irena Uss-Armonien\u0117, Assoc. Prof. Dr. Audra Versek\u0117nait\u0117 Research consultant: Prof. Habil. Dr. Alvydas Juocevi\u010dius Department: Accompanying Piano Duration: 2014\u20132015 (artistic doctorate studies for art licentiates) Abstract The aim of this artistic research project is to prove, through a demonstration of the multifaceted polyfunctionality of an accompanying pianist, that it […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":29,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"template-doct-music-completed.php","meta":{"footnotes":""},"class_list":["post-320","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\t\n\t\t