{"id":324,"date":"2015-02-04T20:18:33","date_gmt":"2015-02-04T18:18:33","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?page_id=324"},"modified":"2021-12-06T20:31:39","modified_gmt":"2021-12-06T18:31:39","slug":"the-aspects-of-producing-in-the-academic-composition","status":"publish","type":"page","link":"https:\/\/harps.lmta.lt\/en\/artistic-doctorate\/completed-artistic-projects\/the-aspects-of-producing-in-the-academic-composition\/","title":{"rendered":"Projecting the Phenomenon of Creativity in Musical Composition"},"content":{"rendered":"

Doctoral student: Sigitas Mickis
\nSupervisors: Prof. Vaclovas Augustinas, Prof. Habil. Dr. Gra\u017eina Daunoravi\u010dien\u0117
\nDepartment: Composition
\nIntended duration: 2014\u20132018<\/p>\n

Abstract<\/strong><\/p>\n

\"Sigitas<\/a>

Sigitas Mickis<\/p><\/div>\n

The object of the present artistic research is musical creativity. The research aim is to provide guidelines for applying and assessing creative composing of music. The research methodology is observation (of personal experience) and systematic\u00a0analysis.<\/p>\n

Creativity is treated as an amalgam of \u2018suitable\u2019 and \u2018new\u2019 features (according to Sternberg and Lubart 1999). Three levels of these features are distinguished in the music creation process: the one\u00a0of musical parameters, that of thinking strategies and the level of an artwork. Research into these levels looks at the components of the \u2018process\u2019 and \u2018product\u2019 of creativity (according to J. M. Rhodes\u2019 4P research model). The process of creativity is defined as addressing of issues by reviewing the prospects for a solution in the context of possibilities. The musical parameters’ level looks at the possibilities of creative composing from the aspects of rhythm, tones, harmony, melos, counterpoint and form (from the cognitive aspect, according to Narmour, 1992). These possibility aspects are being functionally linked on the thinking strategies’ level by distinguishing verbal, hierarchical, linear, harmonic, instrumental, ambient and technological alternatives of creating music (according to Mickis, 2014). The level of an artwork\u00a0looks at the influence of thinking strategies on the creativity of a piece of art and at how the recourse influence of the entirety of an artwork affects the lower levels of creativity.<\/p>\n

Keywords: creativity, composing of music, application of creative composing, possibilities of creative application of musical parameters, musical thinking strategies, the value of the creativity of a musical piece.<\/p>\n","protected":false},"excerpt":{"rendered":"

Doctoral student: Sigitas Mickis Supervisors: Prof. Vaclovas Augustinas, Prof. Habil. Dr. Gra\u017eina Daunoravi\u010dien\u0117 Department: Composition Intended duration: 2014\u20132018 Abstract The object of the present artistic research is musical creativity. The research aim is to provide guidelines for applying and assessing creative composing of music. The research methodology is observation (of personal experience) and systematic\u00a0analysis. Creativity […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":29,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"template-doct-music-completed.php","meta":{"footnotes":""},"class_list":["post-324","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\t\n\t\t