{"id":1377,"date":"2018-11-22T14:57:56","date_gmt":"2018-11-22T12:57:56","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?p=1377"},"modified":"2018-11-22T14:58:01","modified_gmt":"2018-11-22T12:58:01","slug":"defense-of-the-artistic-research-project-projection-of-the-creativity-phenomenon-in-musical-composition","status":"publish","type":"post","link":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-projection-of-the-creativity-phenomenon-in-musical-composition\/","title":{"rendered":"Defense of the artistic research project \u201cProjection of the Creativity Phenomenon in Musical Composition\u201d"},"content":{"rendered":"

On December 12\u201313, 2018, the defense of\u00a0Sigitas Mickis\u2019<\/b><\/strong>\u00a0<\/b>artistic doctorate project\u00a0\u201cProjection of the Creativity Phenomenon in Musical Composition<\/b><\/strong>\u201d\u00a0<\/b><\/strong>will take place at the Lithuanian Academy of Music and Theatre. Artistic supervisor of the project \u2013 Prof. Vaclovas Augustinas, research supervisor\u00a0\u2013 Prof. Dr. (hp) Gra\u017eina Daunoravi\u010dien\u0117. Copies\u00a0of the research paper and its summary are available at the library of the Lithuanian Academy of Music and Theatre\u00a0(Gedimino pr. 42).<\/p>\n

Free entrance.<\/p>\n

Defense of the creative part of the artistic doctorate project
\nDecember\u00a012, 2018, 6\u00a0p.m.<\/strong><\/p>\n

MUSIC INNOVATION STUDIES CENTRE<\/strong>\u00a0<\/strong>(Gedimino pr. 42, Vilnius)<\/p>\n

CONCERT PROGRAM
\nSigitas Mickis (1969)<\/p>\n

Orchestral music Apocalypsis for symphonic orchestra (\u201cWhen the lightning tears…\u201d) <\/em>(2018) \u2013 23\u2019<\/em>
\nChamber music Apocalypsis: The crowd <\/em>(2017) \u2013 6\u2019<\/em>
\nSonic theatre Pilis <\/em>(2016) \u2013 17\u2019<\/em>
\nChoir music \u017dmogus tamsoje <\/em>(2016) \u2013 6\u2019<\/em>
\nChamber music Nu\u0161vitimas<\/em>… <\/em>(2015) \u2013 13\u2019<\/em><\/p>\n

Defense of the artistic research paper<\/b>
\nDecember 13, 2018,\u00a010 a.m.<\/p>\n

JUOZAS KAROSAS HALL\u00a0<\/strong>(Gedimino pr. 42, Vilnius)<\/p>\n

CHAIR OF THE DEFENSE BOARD OF ARTISTIC RESEARCH PROJECT \u2013 Prof. Mindaugas Urbaitis (Lithuanian Academy of Music and Theatre, Music, Composition);
\nBOARD MEMBERS: Prof. Donatas Katkus (LMTA, Music, Performance), Prof. Rytis Ma\u017eulis (LMTA, Music, Composition), Prof. Dr. M\u0101rti\u0146\u0161 Boiko (J\u0101zeps V\u012btols Latvian Academy of Music), Prof. Dr. Antanas Ku\u010dinskas (LMTA, Humanities, Art Research, Musicology);
\nREVIEWERS: Prof. Dr. Ri\u010dardas Kabelis (LMTA, Music, Composition), Assoc. Prof. Dr. M\u0101rti\u0146\u0161 Vi\u013cums (LMTA, Humanities, Art Research, Musicology).<\/p>\n

 <\/p>\n

Abstract<\/strong><\/p>\n

Artistic research project Projection of the Creativity Phenomenon in Musical Composition<\/em> conducted by Sigitas Mickis reveals the acoustic structure of compositional gestures<\/em> of rhythm. The sonic gestures shaped by the composer are investigated based on the most recent cognitive research of music in the 20th-21st centuries, which allows predicting the experience of rhythm compositional gestures when auditioning the music during the compositional process or while listening to performance of already written works. The criteria<\/em> distinguished by the author assist in identification of creative changes in musical expression – the auditory events modelled in compositional process. The first criterion relies on novelty<\/em>; for rhythm it is generated through combinatory <\/em>formation of contour, while for form it is achieved via syntax innovations<\/em>. The second criterion reveals the quality<\/em> of acoustic interaction between the auditory expectations<\/em> and constructive compositional grammars<\/strong>.<\/em> The third criterion marks the contextuality<\/em> of the projection of the first two criteria in three-dimensional<\/em> auditory imagery. The research aims to formulate a consistent theory of multidimensional creativity contexts and compositional actions therein, complementing the practice of musical research and proposing an original method of gesture analysis of creativity<\/strong>. One of the secondary objectives achieved by the research is the formulation of terminology for cognitive creativity analysis.<\/p>\n","protected":false},"excerpt":{"rendered":"

On December 12\u201313, 2018, the defense of\u00a0Sigitas Mickis\u2019\u00a0artistic doctorate project\u00a0\u201cProjection of the Creativity Phenomenon in Musical Composition\u201d\u00a0will take place at the Lithuanian Academy of Music and Theatre. Artistic supervisor of the project \u2013 Prof. Vaclovas Augustinas, research supervisor\u00a0\u2013 Prof. Dr. (hp) Gra\u017eina Daunoravi\u010dien\u0117. Copies\u00a0of the research paper and its summary are available at the library […]<\/p>\n","protected":false},"author":2,"featured_media":1381,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t