{"id":1378,"date":"2018-11-22T15:02:36","date_gmt":"2018-11-22T13:02:36","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?p=1378"},"modified":"2018-11-22T15:02:36","modified_gmt":"2018-11-22T13:02:36","slug":"defense-of-the-artistic-research-project-choir-in-catholic-church-liturgy","status":"publish","type":"post","link":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-choir-in-catholic-church-liturgy\/","title":{"rendered":"Defense of the artistic research project \u201cChoir in Catholic Church Liturgy\u201d"},"content":{"rendered":"

On December 13\u201314, 2018, the defense of\u00a0Linas Balandis\u2019\u00a0<\/b>artistic doctorate project\u00a0\u201cChoir in Catholic Church Liturgy<\/b><\/strong>\u201d\u00a0<\/b><\/strong>will take place at the Lithuanian Academy of Music and Theatre. Artistic supervisor of the project \u2013 Prof. Povilas Gylys, research supervisor\u00a0\u2013 Assoc. Prof. Dr. Danut\u0117 Kalavinskait\u0117. Copies\u00a0of the research paper and its summary are available at the library of the Lithuanian Academy of Music and Theatre\u00a0(Gedimino pr. 42).<\/p>\n

Free entrance.<\/p>\n

 <\/p>\n

Defense of the creative part of the artistic doctorate project
\nDecember\u00a013, 2018, 7\u00a0p.m.<\/strong><\/p>\n

CHURCH OF ALL SAINTS<\/strong>\u00a0<\/strong>(R\u016bdnink\u0173 str. 20\/1, Vilnius)<\/p>\n

CONCERT PROGRAM<\/p>\n

Johann Sebastian Bach<\/strong> (1685\u20131750) Komm, Jesu, komm<\/em>, BWV 229 (1684); (basso continuo <\/em>Povilas Jacunskas)
\n\u0421\u0435\u0440\u0433\u0435\u0439 \u0420\u0430\u0445\u043c\u0430\u043d\u0438\u043d\u043e\u0432<\/strong> (1873\u20131943) \u0412\u0441\u0435\u043d\u043e\u0449\u043d\u043e\u0435 \u0431\u0434\u0435\u043d\u0438\u0435<\/em> 37, (1916): 1st mvt.\u00a0\u041f\u0440\u0438\u0438\u0434\u0438\u0442\u0435, \u043f\u043e\u043a\u043b\u043e\u043d\u0438\u043c\u0441\u044f<\/a><\/em>, 2nd mvt.\u00a0\u0411\u043b\u0430\u0433\u043e\u0441\u043b\u043e\u0432\u0438, \u0434\u0443\u0448\u0430 \u043c\u043e\u044f<\/a><\/em>\u00a0solo <\/em>Nora Petro\u010denko; <\/em>9th mvt.\u00a0\u0411\u043b\u0430\u0433\u043e\u0441\u043b\u043e\u0432\u0435\u043d \u0435\u0441\u0438 \u0413\u043e\u0441\u043f\u043e\u0434\u0438<\/a><\/em>
\nAlfred Schnittke<\/strong> (1934\u20131998) Three Sacred Hymns for mixed choir<\/em> (1984)
\nVaclovas Augustinas<\/strong> (b. 1959) Taip teb\u016bna. Amen<\/em>!<\/em> (2018)
\nGintautas Venislovas<\/strong> (b. 1973) Triump, triump<\/em> (2018)
\nDonatas Zakaras<\/strong> (b. 1979) Rorate Caeli Desuper<\/em>, for mixed choir, brass quintet and soloist (2014); solo <\/em>Ieva Skorubskait\u0117<\/p>\n

Performers: \u0160iauliai State Chamber Choir \u201cPolifonija\u201d (artistic director and chief conductor Tomas Ambrozaitis).<\/strong><\/p>\n

 <\/p>\n

Defense of the artistic research paper<\/b>
\nDecember 14, 2018,\u00a010 a.m.
\nLMTA JUOZAS KAROSAS HALL\u00a0<\/strong>(Gedimino pr. 42, Vilnius)<\/p>\n

CHAIR OF THE DEFENSE BOARD OF ARTISTIC RESEARCH PROJECT \u2013 Prof. Vaclovas Augustinas (Lithuanian Academy of Music and Theatre, Music, Composition);
\nBOARD MEMBERS: Prof. Vytautas Mi\u0161kinis (LMTA, Music, Choir Conducting), Assoc. Prof. Art\u016bras Dambrauskas (Vytautas Magnus University, Music, Choir Conducting), Prof. Dr. (hp) Gra\u017eina Daunoravi\u010dien\u0117 (LMTA, Humanities, Art Research, Musicology), Prof. Dr. Martin\u0161 Boiko (J\u0101zeps V\u012btols Latvian Academy of Music, Humanities, Art Research, Musicology);
\nREVIEWERS: Prof. \u010ceslovas Rad\u017ei\u016bnas (LMTA, Music, Choir Conducting), Assist. Prof. Dr. Jonas Vilimas (LMTA, Humanities, Art Research, Musicology).<\/p>\n

 <\/p>\n

Abstract<\/strong><\/p>\n

The topic of the research paper by Linas Balandis is \u201cChoir in Catholic Church Liturgy.\u201d The work primarily focuses on the development of the choir concept that is reflected in the documents of Catholic Church as well as on its interpretations in the theological and pastoral literature of the end of 20th\u00a0<\/sup>\u2013 the beginning of 21st<\/sup> centuries. The research mainly analyses the opinion on the role of a choir in liturgy of the two groups that have had the greatest impact on church choirs \u2013 priests and choir conductors \u2013 in order to understand the situation with church music in Lithuania and to see whether the instructions indicated in the documents of Catholic Church have been observed. Often the pieces composed by choirmasters are used in church ceremonies. Therefore, the present research paper is finished with a review of religious\/liturgical compositions by Lithuanian choirmasters of the end of 20th<\/sup> \u2013 the beginning of the 21st<\/sup> centuries. Some authors compose specifically for church ceremonies, whereas the others, having chosen certain liturgical texts, compose opuses more suitable for concerts. The research concentrates on the difference between such creators, discusses the possibility to employ their compositions in church ceremonies.<\/p>\n","protected":false},"excerpt":{"rendered":"

On December 13\u201314, 2018, the defense of\u00a0Linas Balandis\u2019\u00a0artistic doctorate project\u00a0\u201cChoir in Catholic Church Liturgy\u201d\u00a0will take place at the Lithuanian Academy of Music and Theatre. Artistic supervisor of the project \u2013 Prof. Povilas Gylys, research supervisor\u00a0\u2013 Assoc. Prof. Dr. Danut\u0117 Kalavinskait\u0117. Copies\u00a0of the research paper and its summary are available at the library of the Lithuanian […]<\/p>\n","protected":false},"author":2,"featured_media":1383,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t