{"id":1405,"date":"2020-12-14T12:08:39","date_gmt":"2020-12-14T10:08:39","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?p=1405"},"modified":"2020-12-16T09:29:56","modified_gmt":"2020-12-16T07:29:56","slug":"defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles","status":"publish","type":"post","link":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/","title":{"rendered":"Defense of the artistic research project \u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d"},"content":{"rendered":"<p>On December 10\u201311, 2019, the defense of <strong>Giedr\u0117 \u017dar\u0117nait\u0117<b>\u2019s-Molenaar <\/b>artistic doctorate project\u00a0<b>\u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication<\/b><\/strong><strong><b>\u201d\u00a0<\/b><\/strong>will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Ingrida Armonait\u0117-Galinien\u0117, Assoc. Prof. Dr. Lina Navickait\u0117-Martinelli. Research consultant: Assoc. Prof. Dr. R\u016bta Lipinaityt\u0117-Savickien\u0117. Copies of the research paper and its summary are available at the library of the Lithuanian Academy of Music and Theatre (Gedimino pr. 42).<\/p>\n<p>Free entrance.<\/p>\n<p><strong><b>Defense of the creative part of the artistic doctorate project<\/b><br \/>\nDecember 10, 2019, 5 p.m.<br \/>\n<\/strong><strong>LMTA Building 1: Great Hall<\/strong> (Gedimino Ave. 42, Vilnius)<\/p>\n<p>PROGRAM<\/p>\n<p><strong>Arvo\u00a0P\u00e4rt<\/strong> \u2013\u00a0<em>Fratres<br \/>\n<\/em><strong>Wolfgang Amadeus Mozart<\/strong> \u2013 String Quartet no. 17 K.458<br \/>\n<strong>Sergei Prokofiev<\/strong> \u2013 Violin Sonata no. 2 op. 94a<\/p>\n<p><strong><b>Defense of the artistic research paper<\/b><br \/>\nDecember 11, 2019, 10 a.m.<br \/>\nLMTA Building 1: Juozas Karosas Hall <\/strong>(Gedimino Ave. 42, Vilnius)<\/p>\n<p>CHAIR OF THE DEFENSE BOARD OF ARTISTIC RESEARCH PROJECT \u2013 Prof. Petras Radzevi\u010dius<\/p>\n<p>MEMBERS OF THE BOARD:<br \/>\nProf. Jonas Tankevi\u010dius<br \/>\nDr. Julian Hellaby<br \/>\nProf. Dr. (hp) Leonidas Melnikas<br \/>\nProf. Dr. Rima Povilionien\u0117<\/p>\n<p>REVIEWERS:<br \/>\nAssoc. Prof. Gediminas Da\u010dinskas<br \/>\nProf. Dr. Audron\u0117 \u017di\u016braityt\u0117<\/p>\n<p><strong>Abstract<\/strong><\/p>\n<p>The subject of Giedr\u0117 \u017dar\u0117nait\u0117-Molenaar&#8217;s artistic research paper is \u201cChanges in violinist functions when playing solo or in ensembles: aspects of performance and communication\u201d. The inspiration behind the present research is the fact that playing the violin solo is quite different from playing in ensembles and orchestras. Depending on the composition of the ensemble and the position of the violinist (e.g., in a string quartet), a musician must exploit different aspects of violin playing, taking into account the psychology of ensemble music making. Due to the intertwining of artistic practice and music performance studies with the aspects and research methods of the science of sociology, the present paper represents an example of interdisciplinary artistic research. The aim of the research is to explore the technical, social, and performative characteristics of the professional activity of a violin soloist and an ensemble violinist, and to substantiate the necessity of the violinist&#8217;s poly-functionality and of certain psychological knowledge that influence the outcomes of artistic activity.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On December 10\u201311, 2019, the defense of Giedr\u0117 \u017dar\u0117nait\u0117\u2019s-Molenaar artistic doctorate project\u00a0\u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d\u00a0will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Ingrida Armonait\u0117-Galinien\u0117, Assoc. Prof. Dr. Lina Navickait\u0117-Martinelli. Research consultant: Assoc. Prof. Dr. R\u016bta Lipinaityt\u0117-Savickien\u0117. Copies of [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":1415,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1405","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"On December 10\u201311, 2019, the defense of Giedr\u0117 \u017dar\u0117nait\u0117\u2019s-Molenaar artistic doctorate project \u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Ingrida Armonait\u0117-Galinien\u0117, Assoc. Prof. Dr. Lina Navickait\u0117-Martinelli. Research consultant: Assoc. Prof. Dr. R\u016bta Lipinaityt\u0117-Savickien\u0117. Copies of\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Ingrida\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.1.1\" \/>\n\t\t<script type=\"application\/ld+json\" class=\"aioseo-schema\">\n\t\t\t{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#article\",\"name\":\"Defense of the artistic research project \\u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\\u201d | HARPS\",\"headline\":\"Defense of the artistic research project \\u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\\u201d\",\"author\":{\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/author\\\/ingridaal\\\/#author\"},\"publisher\":{\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/#organization\"},\"image\":{\"@type\":\"ImageObject\",\"url\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/Giedre-Zarenaite-Mulinaar.jpg\",\"width\":569,\"height\":217},\"datePublished\":\"2020-12-14T12:08:39+02:00\",\"dateModified\":\"2020-12-16T09:29:56+02:00\",\"inLanguage\":\"en-US\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#webpage\"},\"isPartOf\":{\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#webpage\"},\"articleSection\":\"News\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#breadcrumblist\",\"itemListElement\":[{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en#listItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/harps.lmta.lt\\\/en\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/news\\\/#listItem\",\"name\":\"News\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/news\\\/#listItem\",\"position\":2,\"name\":\"News\",\"item\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/news\\\/\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#listItem\",\"name\":\"Defense of the artistic research project \\u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\\u201d\"},\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en#listItem\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#listItem\",\"position\":3,\"name\":\"Defense of the artistic research project \\u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\\u201d\",\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/news\\\/#listItem\",\"name\":\"News\"}}]},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/#organization\",\"name\":\"HARPS\",\"description\":\"LMTA Research Centre\",\"url\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/author\\\/ingridaal\\\/#author\",\"url\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/author\\\/ingridaal\\\/\",\"name\":\"Ingrida\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#authorImage\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/48c1a920336c13a5569fce9a8e17f57f304fe2f34b89c66d2f697179151d1023?s=96&d=mm&r=g\",\"width\":96,\"height\":96,\"caption\":\"Ingrida\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#webpage\",\"url\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/\",\"name\":\"Defense of the artistic research project \\u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\\u201d | HARPS\",\"description\":\"On December 10\\u201311, 2019, the defense of Giedr\\u0117 \\u017dar\\u0117nait\\u0117\\u2019s-Molenaar artistic doctorate project \\u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\\u201d will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Ingrida Armonait\\u0117-Galinien\\u0117, Assoc. Prof. Dr. Lina Navickait\\u0117-Martinelli. Research consultant: Assoc. Prof. Dr. R\\u016bta Lipinaityt\\u0117-Savickien\\u0117. Copies of\",\"inLanguage\":\"en-US\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#breadcrumblist\"},\"author\":{\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/author\\\/ingridaal\\\/#author\"},\"creator\":{\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/author\\\/ingridaal\\\/#author\"},\"image\":{\"@type\":\"ImageObject\",\"url\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/Giedre-Zarenaite-Mulinaar.jpg\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#mainImage\",\"width\":569,\"height\":217},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\\\/#mainImage\"},\"datePublished\":\"2020-12-14T12:08:39+02:00\",\"dateModified\":\"2020-12-16T09:29:56+02:00\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/\",\"name\":\"HARPS\",\"description\":\"LMTA Research Centre\",\"inLanguage\":\"en-US\",\"publisher\":{\"@id\":\"https:\\\/\\\/harps.lmta.lt\\\/en\\\/#organization\"}}]}\n\t\t<\/script>\n\t\t<!-- All in One SEO -->\n\n","aioseo_head_json":{"title":"Defense of the artistic research project \u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d | HARPS","description":"On December 10\u201311, 2019, the defense of Giedr\u0117 \u017dar\u0117nait\u0117\u2019s-Molenaar artistic doctorate project \u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Ingrida Armonait\u0117-Galinien\u0117, Assoc. Prof. Dr. Lina Navickait\u0117-Martinelli. Research consultant: Assoc. Prof. Dr. R\u016bta Lipinaityt\u0117-Savickien\u0117. Copies of","canonical_url":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/","robots":"max-image-preview:large","keywords":"","webmasterTools":{"miscellaneous":""},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#article","name":"Defense of the artistic research project \u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d | HARPS","headline":"Defense of the artistic research project \u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d","author":{"@id":"https:\/\/harps.lmta.lt\/en\/author\/ingridaal\/#author"},"publisher":{"@id":"https:\/\/harps.lmta.lt\/en\/#organization"},"image":{"@type":"ImageObject","url":"https:\/\/harps.lmta.lt\/en\/wp-content\/uploads\/2020\/12\/Giedre-Zarenaite-Mulinaar.jpg","width":569,"height":217},"datePublished":"2020-12-14T12:08:39+02:00","dateModified":"2020-12-16T09:29:56+02:00","inLanguage":"en-US","mainEntityOfPage":{"@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#webpage"},"isPartOf":{"@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#webpage"},"articleSection":"News"},{"@type":"BreadcrumbList","@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#breadcrumblist","itemListElement":[{"@type":"ListItem","@id":"https:\/\/harps.lmta.lt\/en#listItem","position":1,"name":"Home","item":"https:\/\/harps.lmta.lt\/en","nextItem":{"@type":"ListItem","@id":"https:\/\/harps.lmta.lt\/en\/news\/#listItem","name":"News"}},{"@type":"ListItem","@id":"https:\/\/harps.lmta.lt\/en\/news\/#listItem","position":2,"name":"News","item":"https:\/\/harps.lmta.lt\/en\/news\/","nextItem":{"@type":"ListItem","@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#listItem","name":"Defense of the artistic research project \u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d"},"previousItem":{"@type":"ListItem","@id":"https:\/\/harps.lmta.lt\/en#listItem","name":"Home"}},{"@type":"ListItem","@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#listItem","position":3,"name":"Defense of the artistic research project \u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d","previousItem":{"@type":"ListItem","@id":"https:\/\/harps.lmta.lt\/en\/news\/#listItem","name":"News"}}]},{"@type":"Organization","@id":"https:\/\/harps.lmta.lt\/en\/#organization","name":"HARPS","description":"LMTA Research Centre","url":"https:\/\/harps.lmta.lt\/en\/"},{"@type":"Person","@id":"https:\/\/harps.lmta.lt\/en\/author\/ingridaal\/#author","url":"https:\/\/harps.lmta.lt\/en\/author\/ingridaal\/","name":"Ingrida","image":{"@type":"ImageObject","@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#authorImage","url":"https:\/\/secure.gravatar.com\/avatar\/48c1a920336c13a5569fce9a8e17f57f304fe2f34b89c66d2f697179151d1023?s=96&d=mm&r=g","width":96,"height":96,"caption":"Ingrida"}},{"@type":"WebPage","@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#webpage","url":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/","name":"Defense of the artistic research project \u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d | HARPS","description":"On December 10\u201311, 2019, the defense of Giedr\u0117 \u017dar\u0117nait\u0117\u2019s-Molenaar artistic doctorate project \u201cChanges in Violonist Functions When Playing Solo or in Ensembles: Aspects of Performance and Communication\u201d will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Ingrida Armonait\u0117-Galinien\u0117, Assoc. Prof. Dr. Lina Navickait\u0117-Martinelli. Research consultant: Assoc. Prof. Dr. R\u016bta Lipinaityt\u0117-Savickien\u0117. Copies of","inLanguage":"en-US","isPartOf":{"@id":"https:\/\/harps.lmta.lt\/en\/#website"},"breadcrumb":{"@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#breadcrumblist"},"author":{"@id":"https:\/\/harps.lmta.lt\/en\/author\/ingridaal\/#author"},"creator":{"@id":"https:\/\/harps.lmta.lt\/en\/author\/ingridaal\/#author"},"image":{"@type":"ImageObject","url":"https:\/\/harps.lmta.lt\/en\/wp-content\/uploads\/2020\/12\/Giedre-Zarenaite-Mulinaar.jpg","@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#mainImage","width":569,"height":217},"primaryImageOfPage":{"@id":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-change-of-the-violinists-performance-techniques-when-playing-solo-and-in-various-chamber-ensembles\/#mainImage"},"datePublished":"2020-12-14T12:08:39+02:00","dateModified":"2020-12-16T09:29:56+02:00"},{"@type":"WebSite","@id":"https:\/\/harps.lmta.lt\/en\/#website","url":"https:\/\/harps.lmta.lt\/en\/","name":"HARPS","description":"LMTA Research Centre","inLanguage":"en-US","publisher":{"@id":"https:\/\/harps.lmta.lt\/en\/#organization"}}]}},"aioseo_meta_data":{"post_id":"1405","title":null,"description":"","keywords":"","keyphrases":null,"primary_term":null,"canonical_url":"","og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"Article","isEnabled":true},"graphs":[]},"schema_type":null,"schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2021-01-29 17:32:46","updated":"2025-10-08 19:36:12","seo_analyzer_scan_date":null,"focus_keyword":null,"additional_keywords":null,"truseo_locale":null},"_links":{"self":[{"href":"https:\/\/harps.lmta.lt\/en\/wp-json\/wp\/v2\/posts\/1405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/harps.lmta.lt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/harps.lmta.lt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/harps.lmta.lt\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/harps.lmta.lt\/en\/wp-json\/wp\/v2\/comments?post=1405"}],"version-history":[{"count":0,"href":"https:\/\/harps.lmta.lt\/en\/wp-json\/wp\/v2\/posts\/1405\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/harps.lmta.lt\/en\/wp-json\/wp\/v2\/media\/1415"}],"wp:attachment":[{"href":"https:\/\/harps.lmta.lt\/en\/wp-json\/wp\/v2\/media?parent=1405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/harps.lmta.lt\/en\/wp-json\/wp\/v2\/categories?post=1405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/harps.lmta.lt\/en\/wp-json\/wp\/v2\/tags?post=1405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}