{"id":1407,"date":"2020-12-14T12:17:38","date_gmt":"2020-12-14T10:17:38","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?p=1407"},"modified":"2020-12-16T09:27:22","modified_gmt":"2020-12-16T07:27:22","slug":"defense-of-the-artistic-research-project-the-notion-of-a-piano-school-interpretative-canons-and-the-pursuit-of-creative-freedom","status":"publish","type":"post","link":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-the-notion-of-a-piano-school-interpretative-canons-and-the-pursuit-of-creative-freedom\/","title":{"rendered":"Defense of the artistic research project \u201cThe Concept of a Piano School, Its Developement, and the Impact on Contemporary Performance Paradigms\u201d"},"content":{"rendered":"<p>On December 11\u201312, 2019, the defense of <strong>Jurgis Aleknavi\u010dius<b> <\/b>artistic doctorate project\u00a0<b>\u201cThe Concept of a Piano School, Its Developement, and the Impact on Contemporary Performance Paradigms<\/b><\/strong><strong><b>\u201d\u00a0<\/b><\/strong>will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Jurgis Karnavi\u010dius, Prof. Habil. Dr. Leonidas Melnikas. Research consultant: Assoc. Prof. Dr. Lina Navickait\u0117-Martinelli. Copies of the research paper and its summary are available at the library of the Lithuanian Academy of Music and Theatre (Gedimino pr. 42).<\/p>\n<p>Free entrance.<\/p>\n<p><strong><b>Defense of the creative part of the artistic doctorate project<\/b><br \/>\nDecember 11, 2019, 7 p.m.<br \/>\n<\/strong><strong>LMTA Building 1: Great Hall<\/strong> (Gedimino Ave. 42, Vilnius)<\/p>\n<p>PROGRAM<\/p>\n<p><strong>Arvo\u00a0P\u00e4rt<\/strong> \u2013\u00a0<em>Fratres<br \/>\n<\/em><strong>Wolfgang Amadeus Mozart<\/strong> \u2013 String Quartet no. 17 K.458<br \/>\n<strong>Sergei Prokofiev<\/strong> \u2013 Violin Sonata no. 2 op. 94a<\/p>\n<p><strong><b>Defense of the artistic research paper<\/b><br \/>\nDecember 12, 2019, 2 p.m.<br \/>\nLMTA Building 1: Juozas Karosas Hall <\/strong>(Gedimino Ave. 42, Vilnius)<\/p>\n<p>CHAIR OF THE DEFENSE BOARD OF ARTISTIC RESEARCH PROJECT \u2013 Prof. R\u016bta Rikter\u0117<\/p>\n<p>MEMBERS OF THE BOARD:<br \/>\nProf. Birut\u0117 Vaini\u016bnait\u0117<br \/>\nDr. Julian Hellaby<br \/>\nProf. Dr. (hp) Gra\u017eina Daunoravi\u010dien\u0117<br \/>\nProf. Dr. Audron\u0117 \u017di\u016braityt\u0117<\/p>\n<p>REVIEWERS:<br \/>\nProf. Sergej Okru\u0161ko<br \/>\nProf. Dr. R\u016bta Stanevi\u010di\u016bt\u0117-Kelmickien\u0117<\/p>\n<p><strong>Abstract<\/strong><\/p>\n<p>A piano school as a historically changing and developing phenomenon whose central figure is a performer, seeking to perceive and convey the creative ideas incorporated in the composer&#8217;s musical text through live performance.<br \/>\nIn the research of piano schools and it\u2019s impact on the contemporary paradigms the main focus is put on the three main paradigms: the conceptual, vocal, and colouristic. performance paradigms were identified, which accumulated performance practices formed and established by piano schools. The study of these paradigms prompts answers to important questions: On what basis can composition interpretation practices be identified and systematised? What role in the process is played by performer&#8217;s personal qualities, the environment, and fashion priorities? Does the pedagogical genealogy make it possible to see the most distinctive features of a piano school? How is the performer&#8217;s interpretation affected by the composer&#8217;s creative style, country-specific culture, and aesthetic values? The analysis of these aspects provides answers to the main question addressed in the present paper: how and why the above mentioned paradigms of the art of piano performance were formed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On December 11\u201312, 2019, the defense of Jurgis Aleknavi\u010dius artistic doctorate project\u00a0\u201cThe Concept of a Piano School, Its Developement, and the Impact on Contemporary Performance Paradigms\u201d\u00a0will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Jurgis Karnavi\u010dius, Prof. Habil. Dr. Leonidas Melnikas. Research consultant: Assoc. Prof. Dr. Lina Navickait\u0117-Martinelli. Copies of [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":1427,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1407","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"On December 11\u201312, 2019, the defense of Jurgis Aleknavi\u010dius artistic doctorate project \u201cThe Concept of a Piano School, Its Developement, and the Impact on Contemporary Performance Paradigms\u201d will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Jurgis Karnavi\u010dius, Prof. Habil. Dr. Leonidas Melnikas. Research consultant: Assoc. Prof. Dr. Lina Navickait\u0117-Martinelli. 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