{"id":1409,"date":"2020-12-14T12:18:34","date_gmt":"2020-12-14T10:18:34","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?p=1409"},"modified":"2020-12-16T09:32:44","modified_gmt":"2020-12-16T07:32:44","slug":"defense-of-the-artistic-research-project-structural-principles-of-symphony-and-gamelan-orchestras","status":"publish","type":"post","link":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-structural-principles-of-symphony-and-gamelan-orchestras\/","title":{"rendered":"Defense of the artistic research project \u201cStructural principles and composing strategies of symphony and gamelan orchestras\u201d"},"content":{"rendered":"<p>On June 29, 2020, the defense of <strong>Marius Baranauskas<b> <\/b>artistic doctorate project\u00a0<b>\u201cStructural principles and composing strategies of symphony and gamelan orchestras<\/b><\/strong><strong><b>\u201d\u00a0<\/b><\/strong>will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Assoc. Prof. Dr. M\u0101rti\u0146\u0161 Vi\u013cums, Prof. Dr. Rimantas Janeliauskas. Copies of the research paper and its summary are available at the library of the Lithuanian Academy of Music and Theatre (Gedimino pr. 42).<\/p>\n<p>Free entrance.<\/p>\n<p><strong><b>Defense of the creative part of the artistic doctorate project<\/b><br \/>\nJune 29, 2020, 11 a.m.<br \/>\n<\/strong><strong>LMTA Building 1: Juozas Karosas Hall <\/strong>(Gedimino Ave. 42, Vilnius)<\/p>\n<p>PROGRAM<\/p>\n<p>Marius Baranauskas \u2013<br \/>\n<em>Trapezium<\/em><br \/>\n<em>3<\/em><em>\u00a0Palaiminimai<\/em><br \/>\n<em>Palaiminimai<\/em><br \/>\n<em>Delta Cephei<\/em>\u00a0t<br \/>\n<em>Alrediph\u00a0<\/em><strong>\u00a0<\/strong><\/p>\n<p>CHAIRPERSON OF THE DOCTORAL THESIS DEFENCE BOARD:<br \/>\nProf. Dr. Ri\u010dardas Kabelis (Lithuanian Academy of Music and Theatre)<\/p>\n<p>MEMBERS OF THE BOARD:<br \/>\nProf. Mindaugas Urbaitis (Lithuanian Academy of Music and Theatre)<br \/>\nProf. Vaclovas Augustinas (Lithuanian Academy of Music and Theatre)<br \/>\nProf. Dr. Rima Povilionien\u0117 (Lithuanian Academy of Music and Theatre)<br \/>\nProf. Dr. Martin Boiko (J\u0101zeps V\u012btols Latvian Academy of Music)<\/p>\n<p>REVIEWERS:<br \/>\nProf. Rytis Ma\u017eulis<br \/>\nProf. Dr. Antanas Ku\u010dinskas<\/p>\n<p><strong>Abstract<\/strong><\/p>\n<p>The artistic research paper \u201cStructural Principles and Composing Strategies of Symphony and Gamelan Orchestras\u201d by Marius Baranauskas reveals the main principles of orchestra as a comprehensive structure and the inherent strategies of orchestral music composition. By highlighting structural principles of the two different music cultures \u2013 European symphony orchestra and Indonesian gamelan \u2013 the thesis discovers possible interplay between them. This leads towards establishing shared meeting points between the orchestral thinking of the two different cultures, adapting compositional practices and specifying the orchestral criteria. The hypothesis of this research states that there is a universal system of orchestral structure and orchestras of different types and cultures can be defined according to this system. As a result, despite the difference between European and gamelan orchestras, this structural basis makes an effective compositional interplay between them possible. The research delineates the main structural elements of orchestra, creates a comprehensive model of orchestral structure. On the basis of this model the dissemination of structural elements in symphonic and gamelan music is analyzed, and the most notable types of orchestra and structural principles of composition are distinguished. The research paper also reveals the interplay possibilities between the chosen orchestras and, using the author\u2019s composition Alrediph as an example, demonstrates the compositional aspect of the interplay between structural elements.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On June 29, 2020, the defense of Marius Baranauskas artistic doctorate project\u00a0\u201cStructural principles and composing strategies of symphony and gamelan orchestras\u201d\u00a0will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Assoc. Prof. Dr. M\u0101rti\u0146\u0161 Vi\u013cums, Prof. Dr. Rimantas Janeliauskas. Copies of the research paper and its summary are available at the library [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":1426,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"On June 29, 2020, the defense of Marius Baranauskas artistic doctorate project \u201cStructural principles and composing strategies of symphony and gamelan orchestras\u201d will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Assoc. Prof. Dr. M\u0101rti\u0146\u0161 Vi\u013cums, Prof. Dr. Rimantas Janeliauskas. 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