{"id":1413,"date":"2020-12-14T12:19:53","date_gmt":"2020-12-14T10:19:53","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?p=1413"},"modified":"2020-12-16T09:33:27","modified_gmt":"2020-12-16T07:33:27","slug":"defense-of-the-artistic-research-project-structural-principles-of-symphony-and-gamelan-orchestras-2","status":"publish","type":"post","link":"https:\/\/harps.lmta.lt\/en\/defense-of-the-artistic-research-project-structural-principles-of-symphony-and-gamelan-orchestras-2\/","title":{"rendered":"Defense of the artistic research project \u201cRecomposition of Henry Purcell\u2018s Music and Realisation of his Creative Principles in Benjamin Britten\u2018s Vocal Cycles\u201d"},"content":{"rendered":"

On July 1, 2020, the defense of Giedr\u0117 Muralyt\u0117\u2019s<\/b>-Erikson\u0117 <\/b>artistic doctorate project\u00a0\u201c<\/b><\/strong>Recomposition of Henry Purcell\u2018s Music and Realisation of his Creative Principles in Benjamin Britten\u2018s Vocal Cycles\u201d <\/b><\/strong>will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Irena Uss-Armonien\u0117, Assoc. Prof. Dr. Laima Budzinauskien\u0117. Copies of the research paper and its summary are available at the library of the Lithuanian Academy of Music and Theatre (Gedimino pr. 42).<\/p>\n

Free entrance.<\/p>\n

Defense of the creative part of the artistic doctorate project<\/b>
\nJuly 1, 2020, 10 a.m.
\n<\/strong>LMTA Building 1: Juozas Karosas Hall <\/strong>(Gedimino Ave. 42, Vilnius)<\/p>\n

PROGRAM<\/p>\n

Henry Purcell<\/strong>. Songs from\u00a0Orpheus Britannicus
\n<\/em>Benjamin Britten<\/strong>. English, Ireland and French Songs
\nHenry Purcell<\/strong>. Sonata for Violin and Clavier in G minor
\nBenjamin Britten-Henry Purcel<\/strong>l. Realisations from\u00a0Orpheus Britannicus
\n<\/em>Benjamin Britten<\/strong>. Songs from\u00a0Sechs H\u00f6lderlin \u2013 Fragmente<\/em>\u00a0op. 61\u00a0(lyrics by F. H\u00f6lderlin)
\nBenjamin Britten<\/strong>. Cycle for Voice and Piano\u00a0Winter Words<\/em>\u00a0op. 52 (lyrics by T. Hardy)
\nBenjamin Britten-Henry Purcell<\/strong>. Duet from\u00a0Sound of the Trumpet<\/em><\/p>\n

Soloists:\u00a0
\n<\/strong>Laura Latvaityt\u0117-Zaman (soprano)
\nRomanas Kudria\u0161ovas (baritone)
\nViktorija Zabrodait\u0117 (flute)<\/p>\n

CHAIRPERSON OF THE DOCTORAL THESIS DEFENCE BOARD:\u00a0
\n<\/strong>Prof. Donatas Katkus\u00a0(Lithuanian Academy of Music and Theatre)<\/p>\n

MEMBERS OF THE BOARD:
\nProf. Nijol\u0117 Ralyt\u0117 (Lithuanian Academy of Music and Theatre)
\nProf. Audron\u0117 Kisieli\u016bt\u0117 (Lithuanian Academy of Music and Theatre)
\nProf. Dr. R\u016bta Stanevi\u010di\u016bt\u0117-Kelmickien\u0117\u00a0(Lithuanian Academy of Music and Theatre)
\nProf. Dr. Martin Boiko (J\u0101zeps V\u012btols Latvian Academy of Music)<\/p>\n

REVIEWERS:
\nDr. Egl\u0117 Ki\u017eyt\u0117-Ramonien\u0117
\nProf. dr. Audron\u0117 \u017di\u016braityt\u0117<\/p>\n

Abstract<\/strong><\/p>\n

The aim of the Giedr\u0117s Muralyt\u0117s-Erikson\u0117s artistic research project is, upon the analysis of Britten-Purcell realisations, to reveal the various influences of Purcell on Britten’s cycles for voice and piano as well as the impact of the realisations on Britten’s original cycles for voice and piano. Based on comparison with the concept of recomposition, the semantics of the term of realisation was explored and justified its applicability to Britten’s works to identify the influence of the said phenomenon on Britten’s original cycles for voice and piano. To relate the theories of microthematicism and intertextuality and to apply them to the analysis of Britten-Purcell songs from the collection Orpheus Britannicus as well as of Britten’s cycles for voice and piano Winter Words Op. 52 and Sechs H\u00f6lderlin-Fragmente Op. 61. The project also aims to relate the concept of interpretation to the overall architectonics of the composition and to draft interpretation guidelines, based on the theory of microthematicism, which could be useful for performers.<\/p>\n","protected":false},"excerpt":{"rendered":"

On July 1, 2020, the defense of Giedr\u0117 Muralyt\u0117\u2019s-Erikson\u0117 artistic doctorate project\u00a0\u201cRecomposition of Henry Purcell\u2018s Music and Realisation of his Creative Principles in Benjamin Britten\u2018s Vocal Cycles\u201d will take place at the Lithuanian Academy of Music and Theatre. Artistic Supervisors: Prof. Irena Uss-Armonien\u0117, Assoc. Prof. Dr. Laima Budzinauskien\u0117. Copies of the research paper and its […]<\/p>\n","protected":false},"author":5,"featured_media":1421,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t