{"id":300,"date":"2014-09-17T15:01:11","date_gmt":"2014-09-17T13:01:11","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?p=300"},"modified":"2014-12-25T17:05:49","modified_gmt":"2014-12-25T15:05:49","slug":"a-performers-polyfunctionality-discussed-at-the-12th-world-congress-of-semiotics","status":"publish","type":"post","link":"https:\/\/harps.lmta.lt\/en\/a-performers-polyfunctionality-discussed-at-the-12th-world-congress-of-semiotics\/","title":{"rendered":"A performer’s polyfunctionality discussed at the 12th World Congress of Semiotics"},"content":{"rendered":"

HARPS coordinator, Head of LMTA Postgraduate Studies Office, and junior research fellow of the project “Performer’s Polyfunctionality in Musical, Cultural and Social Processes” Lina Navickait\u0117-Martinelli has participated at the 12th World Congress of Semiotics “New Semiotics: Between Tradition and Innovation”. The congress took place on September 16-20 in Sofia, Bulgaria. The event, which featured over 500 participants from 61 countries, was organized by the New Bulgarian University together with the International Association for Semiotic Studies\u00a0(IASS\/AIS) and the\u00a0Southeast European Center for Semiotic Studies.\u00a0<\/span><\/p>\n

L. Navickait\u0117-Martinelli’s paper “Performer as a Meaning-Generator” (part of the Musical Semiotics session) presented some semiotics reflections on creativity in the art of musical performance.\u00a0Seeing it from a semiotic perspective, musical performance is understood as a communication model in which a series of coded messages are sent or enacted and their meanings received or decoded.\u00a0In such an analysis of performer\u2019s art, a number of variables of private and public, musical and extra-musical articulation are of research interest. For instance, performers have their own personality and inclinations; they are exposed to different forms of education and influences; they develop certain technical and stylistic abilities; they find certain repertoires more suitable than others; they develop a public persona… All this is in one way or another reflected in the music played. The paper presented was\u00a0meant to investigate how the artistic, personal and social identity of a musician is communicated through the performance, and what new meanings are created in this process.<\/p>\n

\n

Prepared as\u00a0part of the cultural development project \u201cA Performer\u2019s Polyfunctionality in Musical,<\/em>
\nCultural and Social Processes\u201d funded by the Lithuanian Research Council (Contract No MIP-095\/2013).<\/em><\/p>\n

\n

<\/h5>\n
\"10653346_618423894945732_4007381005177121453_n\"<\/a>

Musical Semiotics session, photo by Gabriele Marino<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

HARPS coordinator, Head of LMTA Postgraduate Studies Office, and junior research fellow of the project “Performer’s Polyfunctionality in Musical, Cultural and Social Processes” Lina Navickait\u0117-Martinelli has participated at the 12th World Congress of Semiotics “New Semiotics: Between Tradition and Innovation”. The congress took place on September 16-20 in Sofia, Bulgaria. The event, which featured over […]<\/p>\n","protected":false},"author":2,"featured_media":301,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-300","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t