{"id":384,"date":"2016-07-17T11:17:25","date_gmt":"2016-07-17T09:17:25","guid":{"rendered":"https:\/\/harps.lmta.lt\/en\/?p=384"},"modified":"2016-08-21T09:28:44","modified_gmt":"2016-08-21T07:28:44","slug":"fourth-performance-studies-network-international-conference-14-17-july-2016","status":"publish","type":"post","link":"https:\/\/harps.lmta.lt\/en\/fourth-performance-studies-network-international-conference-14-17-july-2016\/","title":{"rendered":"Fourth Performance Studies Network International Conference, 14-17 July 2016"},"content":{"rendered":"<div>\n<div>The\u00a0Fourth Performance Studies Network\u00a0International Conference\u00a0took place on\u00a014-17 July, 2016, at\u00a0Bath Spa University (UK). Musician and scholars coming from 20 countries and representing over 70\u00a0institutions presented\u00a0papers and discussed on a large\u00a0variety of performance-related issues.\u00a0The aim of the conference, according to its organizers, was to debate theories, methodologies and practices of performance, and to engage with increasingly diverse, interdisciplinary developments in the field in order to encourage a more global perspective on performance studies.\u00a0The fourth PSN conference, as well as\u00a0the previous three, has been convened through the Performance Studies Network, hosted by the Cambridge Centre for Musical Performance Studies directed\u00a0by John Rink.<\/div>\n<div>\n<p class=\"x_MsoNormal\"><span lang=\"EN-US\">Different sessions of the conference featured topics as diverse as c<\/span>reative experimentation,\u00a0networking technologies, cultural identity, relations between analysis and performance, historically-informed performance, issues of performance pedagogy, performance art as a listening experience, recording practices, electronic\/electroacoustic music, composer-performer collaborations, performance philosophy, virtuosity, authorship and agency, concert programming and others.<\/p>\n<p>Two keynote\u00a0lectures-concerts of the conference were related to ensemble performance:\u00a0Neil Heyde with the Kreutzer Quartet,\u00a0Michael Finnissy and Laurie Bamon, on \u2018Inventing an ensemble identity\u2019, and\u00a0Peter Wiegold with\u00a0<i>Notes In\u00e9gales<\/i>\u00a0and guest artists Hyelim Kim (Korean taeg\u016dm flute) and Cheng Yu (Chinese pipa\/qu-chin), on \u2018Leadership and ownership\u2019.<\/p>\n<\/div>\n<\/div>\n<div>\n<p class=\"x_MsoNormal\">More information can be found at the conference&#8217;s website:\u00a0https:\/\/psn2016.org\/<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The\u00a0Fourth Performance Studies Network\u00a0International Conference\u00a0took place on\u00a014-17 July, 2016, at\u00a0Bath Spa University (UK). Musician and scholars coming from 20 countries and representing over 70\u00a0institutions presented\u00a0papers and discussed on a large\u00a0variety of performance-related issues.\u00a0The aim of the conference, according to its organizers, was to debate theories, methodologies and practices of performance, and to engage with increasingly [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":386,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-384","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"The Fourth Performance Studies Network International Conference took place on 14-17 July, 2016, at Bath Spa University (UK). 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