Completed artistic projects
Artistic doctorate in Music
Change of the Conception of Tritone and Systemic Constructivism in the Music Compositions of the 20th Century
Božena Čiurlionienė (Composition)
Neo-Riemannian Interpretation of Triads and the Perspective of Its Transformation into a Composing System
Raimonda Žiūkaitė (Composition)
Structural Principles of Symphony and Gamelan Orchestras
Marius Baranauskas (Composition)
Principles of Piano Music Improvisation
Mykolas Bazaras (Piano)
Theories and Practices of Somatics and Their Application to Flute Players
Vytenis Gurstis (Flute)
Principles of Piano Education by Sulamita Aronovsky: Multi-Traditionalism in the Art of Performance
Mantautas Katinas (Piano)
Parallels Between the Songs by Henry Purcell and Benjamin Britten
Giedrė Muralytė-Eriksonė (Accompanying piano)
The Concept of a Piano School: Interpretational Canons and the Quest for the Creative Freedom
Jurgis Aleknavičius (Piano)
Coherence and Expression in Performance Style of Mixed Ensembles
Ugnė Antanavičiūtė (Chamber ensemble)
A Choir in the Catholic Church Liturgy and the Creative Output of Lithuanian Choir Conductors, 1990-2015
Linas Balandis (Choral conducting)
French Clarinet School Reception and Impact on Contemporary Wind Instrument Culture in Lithuania
Vytautas Giedraitis (Clarinet)
Projection of the Phenomenon of Creativity for Musical Composition
Sigitas Mickis (Composition)
The Relation between the Fixed and Non-Fixed Musical Texts in the Italian Baroque Vocal Music: Theory and Performance Practice
Rūta Vosyliūtė (Singing)
The Change of the Violinist’s Performance Techniques when Playing Solo and in Various Chamber Ensembles
Giedrė Žarėnaitė (Violin)
The Role of a Pianist in a Soloist’s Art: Physiological and Psychological Aspects
Indrė Baikštytė (Accompanying piano)
Application of Non-Academic Music Practices in Training of Academic Pianists
Motiejus Bazaras (Piano)
The Oboe Acoustic Technological Possibilities and Innovations of Modern Expression
Robertas Beinaris (Oboe)
Changes in the Late 20th and Early 21st Century Concert Kanklės Repertoire and Contemporary Performance Trends
Aistė Bružaitė (Kanklės)
Sonnet Interpretation in the 20th Century Vocal Chamber Music: Word–Sound, Score–Performance
Paulė Gudinaitė (Accompanying piano)
The Flute Vibrato in the 18th to the 21st Century: Contexts and Interpretations
Eglė Juciūtė (Flute)
Lithuanian Viola Art: Pedagogy and Creative Works
Jurgis Juozapaitis (Viola)
On Acousmatism. Manifestations of the Invisible Sound in the Contexts of 20th- and 21st-Century Musical Composition
Jonas Jurkūnas (Composition)
Lithuanian Schools of Choral Conducting: Identifications, Interactions and Modernisation
Egidijus Kaveckas (Choral conducting)
Expression of Comic Categories in the Vocal Cycles of the Second Half of the 20th Century
Eglė Kižytė-Ramonienė (Accompanying piano)
F. Chopin and M.K. Čiurlionis’ Early Works for Piano: Creative Parallels, Overlapping, Influence
Gabrielė Kondrotaitė (Piano)
Expression of the Archetype of the Self in the New Lithuanian Organ Music
Jūratė Landsbergytė-Becher (Organ)
Composing Methods of Musical Narration in Postdramatic Theatre
Rita Mačiliūnaitė-Dočkuvienė (Composition)
Structural and Prestructural Compositional Aspects of Sonoristic Music
Andrius Maslekovas (Composition)
Aspects of the Drone Style and Composition Technique
Mykolas Natalevičius (Composition)
Sacredness in Piano Compositions: Signs and Interpretation
Gabija Rimkutė (Piano)
Buffet versus Heckel: Interactions and Confrontations of Two Bassoon Systems
Žilvinas Smalys (Bassoon)
Ornamentation of Italian and French Baroque Vocal Music: Comparative Analysis of Historical Sources
Saulė Šerytė (Singing)
The Sketches of Variations on Sefaa Esec and Besacas by M. K. Čiurlionis: The Theory and Practice of Editing
Virginija Unguraitytė-Levickienė (Piano)
The Phenomenon of Dynamics in Baroque Music for Harpsichord
Balys Vaitkus (Harpsichord)
Primitivism in Piano Music of the 20th and 21st Centuries: Interpreting the “Otherness” of the Pianistic Canon
Vincenzo de Martino (Piano)
The Phenomenon of In-Studio Composition and Perspectives of Its Expression
Marius Salynas (Composition)
Artistic doctorate in Theatre and Cinema
Cinematherapy: The Director’s Perspective
Jokūbas Vilius Tūras (Film directing)
The Post-Truth Phenomenon in Theatre and Cinema: Creative Strategies
Živilė Elena Mičiulytė (Film directing)
Peizažas lietuvių autorinės dokumentikos kine
Audrius Stonys (Film directing)
Portraying Children in Cinema: The Aspects of the Director’s Work
Giedrė Beinoriūtė (Film directing)
Ethnic and Cultural Vocal Traditions: Relations and Impact on the Expression of Contemporary Stage Artists
Brigita Bublytė (Acting)
Improvisation as a Creative Strategy in the Process of Performance Creation
Olga Lapina (Theatre directing)
Documentary Theatre: Methods of Creating Verbatim
Loreta Vaskova (Theatre directing)
The Principles of Gintaras Varnas’ Actor Training: Objectives and Results of the Study Process (2005–2009)
Elzė Gudavičiūtė (Acting)
