Completed artistic projects


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Artistic doctorate in Music

The Role of a Pianist in a Soloist’s Art: Physiological and Psychological Aspects
Indrė Baikštytė (Accompanying piano)

Application of Non-Academic Music Practices in Training of Academic Pianists
Motiejus Bazaras (Piano)

The Oboe Acoustic Technological Possibilities and Innovations of Modern Expression
Robertas Beinaris (Oboe)

Changes in the Late 20th and Early 21st Century Concert Kanklės Repertoire and Contemporary Performance Trends
Aistė Bružaitė (Kanklės)

Sonnet Interpretation in the 20th Century Vocal Chamber Music: Word–Sound, Score–Performance 
Paulė Gudinaitė (Accompanying piano)

The Flute Vibrato in the 18th to the 21st Century: Contexts and Interpretations
Eglė Juciūtė (Flute)

Lithuanian Viola Art: Pedagogy and Creative Works
Jurgis Juozapaitis (Viola)

On Acousmatism. Manifestations of the Invisible Sound in the Contexts of 20th- and 21st-Century Musical Composition 
Jonas Jurkūnas (Composition)

Lithuanian Schools of Choral Conducting: Identifications, Interactions and Modernisation
Egidijus Kaveckas (Choral conducting)

Expression of Comic Categories in the Vocal Cycles of the Second Half of the 20th Century
Eglė Kižytė-Ramonienė (Accompanying piano)

F. Chopin and M.K. Čiurlionis’ Early Works for Piano: Creative Parallels, Overlapping, Influence
Gabrielė Kondrotaitė (Piano)

Expression of the Archetype of the Self in the New Lithuanian Organ Music
Jūratė Landsbergytė-Becher (Organ)

Composing Methods of Musical Narration in Postdramatic Theatre
Rita Mačiliūnaitė-Dočkuvienė (Composition)

Structural and Prestructural Compositional Aspects of Sonoristic Music
Andrius Maslekovas (Composition)

Aspects of the Drone Style and Composition Technique
Mykolas Natalevičius (Composition)

Sacredness in Piano Compositions: Signs and Interpretation
Gabija Rimkutė (Piano)

Buffet versus Heckel: Interactions and Confrontations of Two Bassoon Systems
Žilvinas Smalys (Bassoon)

Ornamentation of Italian and French Baroque Vocal Music: Comparative Analysis of Historical Sources
Saulė Šerytė (Singing)

The Sketches of Variations on Sefaa Esec and Besacas by M. K. Čiurlionis: The Theory and Practice of Editing
Virginija Unguraitytė-Levickienė (Piano)

The Phenomenon of Dynamics in Baroque Music for Harpsichord
Balys Vaitkus (Harpsichord)