DIP Day 2_Parallel sessions
3rd festival conference of music performance and artistic research “Doctors in Performance”,
Lithuanian Academy of Music and Theatre,
September 5, parallel sessions: Juozas Karosas Hall, Balcony Theatre, Organ Hall, Music Innovation Studies Centre
Sessions 5-8
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Session 5, Juozas Karosas Hall. Amit Yahav, recital “From Text to Sound: Revisiting Some Performance Indications in Chopin’s Music”
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Amit Yahav
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Amit Yahav
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Amit Yahav
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Amit Yahav
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Amit Yahav
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Amit Yahav
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“From Text to Sound: Revisiting Some Performance Indications in Chopin’s Music”
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Inja Stanovic, lecture-recital “The Early Sound Recordings as Primary Evidence: Late Nineteenth-Century Expressive Techniques Relating to Chopin’s Nocturnes”
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Inja Stanovic
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Inja Stanovic
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Inja Stanovic
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Inja Stanovic
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Inja Stanovic
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Inja Stanovic
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Inja Stanovic
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Session 5, Juozas Karosas Hall
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Nana Wang
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Rima Povilionienė, paper “How to ‘Steal Time’ in Music: Rubato Case in Chopin’s Nocturne No. 1”
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Rima Povilionienė
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“How to ‘Steal Time’ in Music: Rubato Case in Chopin’s Nocturne No. 1”
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Rima Povilionienė
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Session 6, chair Korneel Bernolet
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Piia Kleemola-Välimäki, lecture-recital “Archive Recordings and Manuscripts as a Source of Artistic and Stylistic Research”
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Piia Kleemola-Välimäki
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Piia Kleemola-Välimäki
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Session 6, Balcony Theatre
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Piia Kleemola-Välimäki
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Piia Kleemola-Välimäki
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Session 6, Balcony Theatre
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Piia Kleemola-Välimäki
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Sebastian Silén, lecture-recital “The German Influence on Finnish Violin Music from the Nineteenth Century”
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Sebastian Silén (violin), Eveliina Sumelius-Lindblom (piano)
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“The German Influence on Finnish Violin Music from the Nineteenth Century”
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Sebastian Silén
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Session 6, Balcony Theatre
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Sebastian Silén
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Sebastian Silén
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Zsuzsanna Könyves-Tóth
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Sebastian Silén
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Joan Grimalt, paper “Consequences on Performance of an Analysis of Brahms’s Trio, Op. 8”
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Joan Grimalt
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Joan Grimalt
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Joan Grimalt
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Joan Grimalt
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Joan Grimalt
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Sarah Callis
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Sebastian Silén
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Lucy Abrams, lecture-recital “Dancing and Twirl-ing: Contemporary Clarinet from the Perspective of Libby Larsen and Markku Klami”
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Lucy Abrams
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Lucy Abrams
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Lucy Abrams
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Lucy Abrams
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Lucy Abrams
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Rae Todd
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Session 7, chair Tuire Kuusi
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Aistė Bružaitė, lecture-recital “Contemporary Performance Trends in the Concert Kanklės Repertoire”
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Aistė Bružaitė
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Aistė Bružaitė
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Aistė Bružaitė
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“Contemporary Performance Trends in the Concert Kanklės Repertoire”
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Aistė Bružaitė
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Aistė Bružaitė
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Session 7, Organ Hall
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Session 7, Organ Hall
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Giedrė Muralytė-Eriksonė, paper “Benjamin Britten – Henry Purcell Realizations: Experimental Field and the Influence into Original Compositions”
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Giedrė Muralytė-Eriksonė
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Giedrė Muralytė-Eriksonė
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Giedrė Muralytė-Eriksonė
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Giedrė Muralytė-Eriksonė
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Giedrė Muralytė-Eriksonė
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Session 8, chair Daniele Buccio
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Dario Buccino, lecture-recital “Bastandosi la nuca a scorrere dietro la fronte”. For Solo Mind: A Collective Performance
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“Bastandosi la nuca a scorrere dietro la fronte”. For Solo Mind: A Collective Performance
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“Bastandosi la nuca a scorrere dietro la fronte”. For Solo Mind: A Collective Performance
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Dario Buccino
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Dario Buccino
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“Bastandosi la nuca a scorrere dietro la fronte”. For Solo Mind: A Collective Performance
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“Bastandosi la nuca a scorrere dietro la fronte”. For Solo Mind: A Collective Performance
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Dario Buccino
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“Bastandosi la nuca a scorrere dietro la fronte”. For Solo Mind: A Collective Performance
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Dario Buccino
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“Bastandosi la nuca a scorrere dietro la fronte”. For Solo Mind: A Collective Performance
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Peter Dejans
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Dario Buccino
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Session 8, MiSC
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Richard Craig
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Session 8, MiSC
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Jurgis Karnavičius, Rūta Rikterė, Petras Geniušas
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Supervisor’s look
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Julius Aglinskas
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Supervision continues
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Marta Finkelštein, recital “Piano Hero. Curatorial Exploration of the Piano Recital”
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“Piano Hero. Curatorial Exploration of the Piano Recital”
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Marta Finkelštein
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Marta Finkelštein
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Marta Finkelštein
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“Piano Hero. Curatorial Exploration of the Piano Recital”
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“Piano Hero. Curatorial Exploration of the Piano Recital”
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“Piano Hero. Curatorial Exploration of the Piano Recital”
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Marta Finkelštein
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Marta Finkelštein
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Dario Buccino
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Maximilian Lehner, paper “Some More Beginnings” of Artistic Research: How Performances Might Reveal Important Differences Between Aesthetics and AR
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Maximilian Lehner
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“Some More Beginnings” of Artistic Research: How Performances Might Reveal Important Differences Between Aesthetics and AR
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“Some More Beginnings” of Artistic Research: How Performances Might Reveal Important Differences Between Aesthetics and AR
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Maximilian Lehner
Sessions 9-12
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Session 9, Konstantinos Destounis, lecture-recital “‘Abstract Programmatic Music’: Performing Theodore Antoniou’s Piano Works”
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Konstantinos Destounis
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Konstantinos Destounis
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Konstantinos Destounis
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Konstantinos Destounis
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Konstantinos Destounis
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Session 9, Juozas Karosas Hall
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Diāna Zandberga, lecture-recital “Highlights of Contemporary Latvian Piano Music”
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“Highlights of Contemporary Latvian Piano Music”
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Diāna Zandberga
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Diāna Zandberga
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Diāna Zandberga
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Diāna Zandberga
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Diāna Zandberga
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Rae W. Todd, paper “Facets of Play in Music Rehearsals of Professional Chamber Ensembles in the Western Art Tradition”
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Rae W. Todd
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“Facets of Play in Music Rehearsals of Professional Chamber Ensembles in the Western Art Tradition”
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Rae W. Todd
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Session 10, chair Denise Neary
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Darynn Zimmer, recital “See What I Hear: The Audio-Visual Experience of Performing Hugo Wolf Lieder”
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Darynn Zimmer
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Darynn Zimmer (soprano), Raminta Lampsatis (piano)
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Raminta Lampsatis
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Darynn Zimmer
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“See What I Hear: The Audio-Visual Experience of Performing Hugo Wolf Lieder”
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“See What I Hear: The Audio-Visual Experience of Performing Hugo Wolf Lieder”
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Session 10, Balcony Theatre
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Session 10, Balcony Theatre
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Session 10, Balcony Theatre
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Raminta Lampsatis
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Session 10, Balcony Theatre
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Darynn Zimmer
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Asta Krikščiūnaitė
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Irena Milkevičiūtė
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Raminta Lampsatis
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Darynn Zimmer
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Maria Mirovskaya
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Päivi Järviö
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Darynn Zimmer, Raminta Lampsatis
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Asta Krikščiūnaitė, Darynn Zimmer
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Áine Mulvey, lecture-recital “Irish Song Literature and Cultural Revival (1890–1922)”
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“Irish Song Literature and Cultural Revival (1890–1922)”
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Áine Mulvey
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“Irish Song Literature and Cultural Revival (1890–1922)”
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“Irish Song Literature and Cultural Revival (1890–1922)”
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Áine Mulvey (mezzo-soprano), Annalisa Monticelli (piano)
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Áine Mulvey (mezzo-soprano), Annalisa Monticelli (piano)
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Imelda Drumm, paper “Oral Contraceptives and Elite Vocalists in Training; Perspectives from the Voice Academy”
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Imelda Drumm
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Imelda Drumm
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Imelda Drumm
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“Oral Contraceptives and Elite Vocalists in Training; Perspectives from the Voice Academy”
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Imelda Drumm
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Session 11, chair Chiara Bertoglio
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Naiara De La Puente Vadillo, lecture-recital “The Accordion; A Major Instrument in Contemporary Chamber Music”
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Naiara De La Puente Vadillo
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Naiara De La Puente Vadillo
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Naiara De La Puente Vadillo
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Naiara De La Puente Vadillo
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Naiara De La Puente Vadillo
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“The Accordion; A Major Instrument in Contemporary Chamber Music”
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Naiara De La Puente Vadillo
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Session 11, Organ Hall
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Session 11, Organ Hall
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Naiara De La Puente Vadillo
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Luiz Mantovani, lecture-recital “Modernizing Instrumentation in Ferdinand Rebay’s Großes Duo in A minor”
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Luiz Mantovani
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NOVA Guitar Duo (Nelly von Alven, Luiz Mantovani)
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NOVA Guitar Duo (Nelly von Alven, Luiz Mantovani)
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Luiz Mantovani
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Luiz Mantovani
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Saale Fischer, paper “Time in Service of a Rhetorical Performance”
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Saale Fischer
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“Time in Service of a Rhetorical Performance”
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Saale Fischer
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Bo van der Werf, lecture-recital “Methods for Using the Language of Messiaen in (Jazz) Improvisation”
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Session 12, MiSC
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Bo van der Werf
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Bo van der Werf
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Bo van der Werf
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Bo van der Werf
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Session 12, MiSC
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Bo van der Werf
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Russell Wimbish, recital “How Do You Play That? A Performer’s Outlook on Graphic Score Interpretation”
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Russell Wimbish
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Russell Wimbish
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Russell Wimbish
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“How Do You Play That? A Performer’s Outlook on Graphic Score Interpretation”
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Russell Wimbish
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Guadalupe López-Íñiguez, paper “Learning Identity vs. Classical Music Performance Orthodoxy: A Cellist’s Autoethnography of Embodied Cognition and Self-Regulation”
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“Learning Identity vs. Classical Music Performance Orthodoxy: A Cellist’s Autoethnography of Embodied Cognition and Self-Regulation”
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Guadalupe López-Íñiguez
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Guadalupe López-Íñiguez
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Session 12, MiSC
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Guadalupe López-Íñiguez
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Session 12, MiSC
Sessions 13-16
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Session 13. Vincenzo De Martino, recital “Primitivism in Piano Music of the 20th Century: Interpreting the “Otherness” of Pianistic Canon”
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Vincenzo de Martino
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“Primitivism in Piano Music of the 20th Century: Interpreting the “Otherness” of Pianistic Canon”
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Vincenzo de Martino
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Vincenzo de Martino
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Vincenzo de Martino
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Jaak Sikk, lecture-recital “Influence of the Induced by a Stimulus Mental Imagery on the Process of Free Improvisation”
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Session 13, chair Brian Wallick
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Jaak Sikk
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Jaak Sikk
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Milda Sokolovaitė, Jaak Sikk
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“Influence of the Induced by a Stimulus Mental Imagery on the Process of Free Improvisation”
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Konstantinos Destounis
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Brian Wallick
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Session 13, Juozas Karosas Hall
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Session 13, Juozas Karosas Hall
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Frank Havrøy and Gunnar Flagstad, recital “Schubert Revisited: The Swan Song of the Master/Apprentice Paradigm”
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Frank Havrøy (voice), Gunnar Flagstad (piano)
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Frank Havrøy
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“Schubert Revisited: The Swan Song of the Master/Apprentice Paradigm”
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Gunnar Flagstad
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“Schubert Revisited: The Swan Song of the Master/Apprentice Paradigm”
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Session 14, chair Hanli Stapela
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Session 14, Balcony Theatre
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Deborah Oliveira
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Hanli Stapela
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Justas Čeponis
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Gdańskie Trio Stroikowe, lecture-reictal “Faces of Gdańsk Creativity for the Reed Trio After the Year 1969”
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Gdańskie Trio Stroikowe
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Gdańskie Trio Stroikowe
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Mirosław Pachowicz
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Andrzej Wojciechowski
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Marta Różańska
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Session 14, Balcony Theatre
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Pia Siirala, lecture-recital “Sound Replies to Sound”
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Pia Siirala
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Pia Siirala
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Pia Siirala
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Pia Siirala
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Pia Siirala
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Silvia Lucas Rodriguez, lecture-recital “Performing with Electronics. Decoding the Repertoire”
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Silvia Lucas Rodriguez
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Silvia Lucas Rodriguez
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Session 16, MiSC
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“Performing with Electronics. Decoding the Repertoire”
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“Performing with Electronics. Decoding the Repertoire”
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Bo van der Werf
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Silvia Lucas Rodriguez
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Vykintas Baltakas
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Robert Jędrzejewski
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“Performing with Electronics. Decoding the Repertoire”
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Kenneth Edge, lecture-recital “Preparing Selected Irish Saxophone Works for Performance: A Multimodal Examination of Cognitive Embodiment Through Deliberate Practice”
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Kenneth Edge
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Kenneth Edge
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Kenneth Edge
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Session 16, MiSC
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Kenneth Edge